USOT Recap: College Tara Returns

"You must be that part of her that shoots bullets at the birds." —Dr. Hattaras

Thus spake Hattaras to Buck in last night's episode whimsically entitled "The Electrifying and Magnanimous Return of Beaverlamp." Buck accosts the good doctor at his office to try and persuade him to take Tara back on as a patient/project, after Hattaras ditches her following his former patient Kite Boy's regression and consequent suicide. It turns out the mystery alter is getting a bit out of hand with the physical attacks on Tara's person, and Buck is concerned. An "accidental" cut while chopping vegetables evolves into a self-inflicted gash with a broken beer bottle by the end of the episode. Yikes! What's worse is that Tara is still unaware of this added threat currently residing in her psyche. The alters know, though. They even have discussions about it and take turns watching out for Tara's safety. Some recent developments are definitely angering this Other Personality (OP), and I'm willing to bet it is Tara's recent emancipation, such as it is.

Meanwhile, Marshall is trying very hard to unearth even more drama, intrigue and dysfunction in his family and Max in particular. It seems he might suffer from that common affliction of young aspiring artists: wishing to become the type of tortured soul that he thinks is a requirement for creating good art. Too bad his parents loved him too much and he's too well-adjusted for that. But wait! He is gay, after all, so naturally, the only thing left to do is pay Lionel a booty call, which, for at least two reasons obvious to everyone but Marshall, is a Bad Idea. On the other hand, any Lionel sighting makes me happy lately, so I'll take it; I enjoy the little reminders that even the Lionels of the world have feelings, and even the Marshalls of the world can occasionally act like total dicks.

Aside from the aforementioned exceptions, things at the Gregson house are rather peachy. Tara is being fun and positive, planning parties and raving about yoga. Max is getting his college band (Beaverlamp) back together for his birthday, even Kate is back on top, having finally managed to ensnare her dweeby new crush, who, it turns out, is no longer married but does have a kid. I don't think Evan realizes yet that Kate isn't much more than a kid herself, but there's something about that guy that I don't trust. Then again, maybe I'm just reading too much into his BTK-killer glasses.

The only character who's been truly miserable this week is poor Dr. Hattaras, who, incidentally, also appears to be a bit of a stress eater (and cheese connoisseur). He's had a rough week, what with Kite Boy's demise and his psychiatric work coming under scrutiny as a result. Luckily, Eddie Izzard makes even despair look hilarious, and I've actually been eager to delve a little deeper into his character this season. So far, this has been the first episode where we actually see him as a standalone person as opposed to just another member of Tara's entourage. Next week looks exciting, with a direct encounter between Hattaras and the OP, who has presumably killed Chicken. Could this be only the first in a series of pseudo-homicides?

USOT Recap: Back to School

Favorite line: "Ah, Ms. Gregson. Quite a tour de force yesterday. I was dragged kicking and screaming to rehab for behavior less strange." —Dr. Hattaras

"Crackerjack" kicks off with some "raw" footage of the Gregsons through Marshall's new camera. He really seems to be hitting this documentary filmmaking thing hard, capturing some casual-yet-telling reactions from his family members in the first scene of the episode. In one fell swoop we are treated to Tara's back-to-school jitters as well as Max's increasing frustration with his landscaping business (or lack thereof).

From there, it doesn't take Tara long to realize university campuses are not kind to students of a certain age, and her anxiety reaches new heights upon stepping into the classroom—a sprawling, auditorium-style affair—causing her to transition into Shoshanna and pretend to be the substitute psychology professor. Naturally, Dr. Hattaras (Eddie Izzard, who is staying sardonically English in this role, thank the Queen) is none too happy and proceeds to use Tara's condition as a humiliating topic of discourse in the class. This wouldn't be quite so bad if he weren't so utterly disdainful of the validity of her disorder. His skepticism does, however, catalyze an appearance by T, which is always a joyous occasion, speaking strictly as a viewer.

The rest of the men this week saw varying degrees of personal success, the highest being Max's somewhat-forced decision to sell his business to the big dog Orgalawn. Unfortunately, this sale is leaving Neil in quite the lurch, job-wise, but I am excited to see what his next move will be. Hopefully something that will make him significantly more attractive to Charmaine. Or as she put it, "you weren't planning on being a gardener your whole life, were you?" Ouch.

Marshall and Lionel are excited about their film class but disappointed to be thrust into an almost entirely gay group, under their teacher's misguided hope that they will create "something deeper, more emotional... a little more razzmatazz." Still, I appreciated seeing Lionel's more vulnerable side as he asked Marshall if they were together out of love or sheer proximity. Blondie cares, y'all!

As for Kate, after an unfortunate run-in with a particularly coital Neil and Charmaine, her goal du jour has become the quick and thorough escape from her family. The solution? Move to Japan to teach English. I love it when shows incorporate real trends into their stories. And it will be interesting to see Kate completely out of her element, and I really hope the writers are able to pull off sequestering one of the main characters from their main Kansas setting. That is, if Kate ends up going at all, which is still unclear at this point. My guess is that it will happen, because not only is Kate behaving much more responsibly, but it also seems like the show is actively trying to make her seem that way with older-looking makeup and hair. Though Brie Larson was 20 when the show debuted, she's always been very convincing as a 15/16-year-old in demeanor and facial expression, but this season I am getting a marked sense of maturity from her, and that has to be deliberate, because Larson is a terrific actress.

It appears I totally called it last week insofar as the Charmaine/Neil dynamic, as Sweet Moment #1 made itself known almost immediately during the course of this episode, with Charmy declaring that the father of her child is a better man than her dream guy. And the "Awww" moments didn't stop there. I'm referring, of course, to the Marshall/Kate interaction in the empty lot... thing. Brother/sister scenes on comedies, especially those involving teenagers, tend to have an undertone of cattiness and competition, so I find it nice to be able to count on the Gregson siblings to always have each other's backs, no matter what. But even that moment was nothing compared to the touching scene at the end of the episode, involving Tara and Kate and a poignant mother-daughter role reversal that gave Tara a new understanding of her eldest child.

And speaking of mothers, it looks like next week will usher in Max's own (Frances Conroy of Six Feet Under!), and she appears to be a pretty severe hoarder, in light of which it really seems like Max was somewhat predisposed to falling for a psychologically disturbed woman. Thoughts?

United States of Tara Recap: The Head Trip Returns

Toni Collette as Tara Gregson

God, I hope I'm not the only one who's excited over this, because, dear reader, I have made my selection: Tara shall be the show that I will be recapping here for the next twelve weeks or so. It's rather perfect, actually: a dramatic comedy with short seasons on cable. And honestly, I've written about Showtime babies so much in the past, it's only fitting that I return to the source of so many of my favorite shows slash blog fodder.

Season 3 premiered last night and quickly caught us all up to speed on the various goings-on since Charmaine's non-wedding last season and however long it took for her pregnancy to reach false labor stages. Kate is now moved out of her parents' house... and into her aunt's. Neil is in Charmaine's life now, but in a much less glamorous capacity than he would want, which became more obvious than ever when she coldly rejected his earnest marriage proposal in front of her whole family. Marshall and Lionel are together but aren't putting any labels on it, because according to Lionel, "'boyfriend' is just another one of those gross words, like 'vagina' or 'love.'" I can usually pick out within minutes the episodes written by Diablo Cody, and "...youwillnotwin..." was replete with the too-clever dialogue and cynicism that characterizes her writing. The episode title is in reference to a creepy yet intriguing moment when one of Tara's possibly heretofore unknown alters briefly hijacks her essay on somatization. Why is Tara writing an essay on somatization? Because this season appears to be all about her unfulfilled wishes, both conscious and unconscious: to find her newly discovered half-brother and to finish her undergraduate degree, which conveniently requires her to take a course in—what else?—abormal psychology. Her professor is a curmudgeonly academic type played perfectly (and, dare I say, sexily?) by the hilarious Eddie Izzard, who, according to the sneak peek for the next episode, does not believe in dissociative identity disorder (DID). Interesting.

In the episode's most surprising twist, it was also revealed that Tara had attempted suicide at least twice in college, prompting her to drop out in her last semester. But if the hijacked essay scene is any indication, it was most likely not Tara who wanted to check out early but one of her other personalities. So who is this suicidal (homicidal?) alter, then? Her existing alters have historically been pretty protective of her, so my money's on one we haven't been acquainted with yet.

But Tara is not the only one with problems. In fact, all the main characters seem to be at some sort of impasse this season. Kate can't find a real job with just a GED and a tawdry internet past, Marshall can't get his spawn-of-Satan boyfriend to commit, Max can't retain his business clientele, Charmaine can't seem to manage being an "independent fucking woman," and Neil can't seem to abandon his shrew of a pregnant baby mama in her time of need.

Right now I am feeling very excited about college student Tara and her future interactions with her psych professor. I expect his skepticism regarding her condition will provide a new kind of challenge for Tara and hopefully some insight into herself. I also anticipate some awkward yet sweet moments between Charmaine and Neil, perhaps even a slight cut in her narcissism now that she's on the verge of motherhood. And is it just me, or is it looking like Kate might be back in the Barnaby's uniform pretty soon?

What other thoughts or predictions do you have after this first episode? And who's with me in rooting for the quick dissolution of the Marshall/Lionel union?