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| They are young. They are paired off. They are childless. They are everywhere. |
Valentine’s season has come and gone and I am pleased to say that I had a fairly successful time avoiding the aggravating, relationshippy bullshit taking place all around me. As a single person, this is an important skill and one that I have perfected over the years. I can sense when a friend is about to gush about his girlfriend or mope about her breakup or bemoan his single status, and I am always prepared. A subtle conversational misdirection here, an innocuous segue there, and I am usually, as they say, golden. I was not, however, prepared to be attacked with this crap by the one constantly faithful institution in my life: TV.
I know this has been sneaking up on us for some time now, but never before have there been so many relationship
sitcoms—not to be confused with friend sitcoms, a topic for another
day—pervading the airwaves in every. freaking. direction. I think it’s safe to declare the Couple Sitcom the new Family Sitcom in terms of unimaginative comedy with mass appeal. It’s true. Every major network has one, and I am virtually incapable of flipping channels on any night of the TV-viewing week without stumbling on a pair o’ lovers mumbling hackneyed apologies to, or trying to hide some absurd blunder from, one another.
It all started harmlessly enough when
CBS, arguably the stodgiest, most boundary-pulling network, introduced
Rules of Engagement back in 2007. Two couples and an aging lothario (played by
David Spade (as if! (there aren’t enough parentheses in the world to fully capture all of my
Inception-style reactions to this))) hanging out and trading repartee about the so-called differences between men and women? OK, sure; I’d watch that in the
Dakotas. I didn’t even give a second thought to
ABC’s fluffy-haired, fluffy-brained
Better with You, which premiered this fall and is occasionally amusing. This, by the way, is a show with stylish outfits, square older people, and cutesy sets (one of the couples lives in an old firehouse, cue eye roll) meant to appeal to younger audiences. Again, harmless enough. But no sooner did the 2011 confetti touch the beer-soaked ground than two more such sitcoms sprouted within mere weeks of each other:
NBC’s
Perfect Couples and
Fox’s
Traffic Light, wherein the titular road signal is officially the dumbest analogy for a relationship I’ve ever heard
—something about the different color lights symbolizing the different stages… I don’t know; I tuned out when the dopey wrap-up music started playing.
So what gives? Is this what the market wants? I can respect that, but do all of these shows have to be exactly the same? Oh, look: Jack and Jill are the couple that’s been together forever; they need to find ways to keep things fresh! John and Jane are just starting out; they are naïve and still think relationships are fun and easy! Whatever will they all learn this week?!
The problem with this formula is that it inevitably draws on certain relationship clichés to make its stories work, not the least and most irritating of which is painting its women as hormonal shrews and its men as clueless doofuses, younger versions of
Debra and Ray Barone but without the kids or the lovable core. Either that or it’s the gullible bimbo wives who repeatedly fall for the countless schemes and tricks the men concoct to temporarily escape the confines of the relationship. And so, instead of giving their audience an actual team for which to root, these shows invariably give us an antagonist, whether it’s the women’s ball busting tactics or the men’s utterly avoidant styles of husbandry. By the way, I’d really love to know how much more of the “I love my wife, but I am still a man” motif I can look forward to yawning through this year. Not only is this trope
more tired than James Franco, but it is completely false. I don’t know any women in relationships who actively seek to emasculate their partners to the degree that television will have us think or, you know, at all. I mean, cry me a river, guy, but if you are in a committed relationship with a Lady, just accept that your days of going to strip clubs or similarly sleazy locales are over. Am I right?
For me, the most successful, if poorly titled, of the four sitcoms is Perfect Couples. The edge it has is in taking an atypical approach to the establishment of the couples. Instead of giving us three relationships at three different stages on the joint journey towards death, this show merely gives us three stylistically different relationships; I call them the Average Joes, the Drama Queens, and the Wild Cards. It works because the characters are each distinctively fleshed out, and the actors, bless their hearts, fully commit to their imagined personas. There’s also a glorious lack of a men vs. women competitive/mean-spirited streak, for which I am truly grateful. Ultimately, these elements all come together to create a comedy that’s actually—are you sitting down?—funny.
What do you guys think of this phenomenon I call the Couple Sitcom? And for the love of God, who finds David Spade sexy???
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